When we were kids, Keith Link and I used to hang out at a music store near his house called George’s Music. It was your standard fare, the walls lined with guitars, disgruntled musicians behind the counter wearing ties and feeling holier-than-thou, lessons in the back room. It was our Mecca, our candy store, our cheap thrill.
Keith always liked music. And since I liked everything that Keith liked, I liked music too. His picking up the guitar and convincing me to pick up bass was what ultimately led to my spending many years studying music, touring the world and haunting studios in the wee hours of the morning. But the love of music gear was not as related to the love of music as you might think.
Gear, sweet gear
For us, it went far beyond simply a tool of the trade. What we felt was pure lust for the shiny new objects that adorned the display cases at George’s. The Ibanez Saber, a guitar that looked way better than it sounded; that classic, orange distortion pedal from Boss; and the sublimely unreachable Paul Reed Smith whose two thousand dollar price tag may as well have been two million.
When we had outstayed our welcome at George’s, unceremoniously ejected from the show room as perennial tire-kickers (and for practicing our beginner version of Stairway To Heaven without invitation), we would retreat to our stash of gear-porn: the Musician’s Friend catalog. This was way back when before websites and eCommerce. The catalog would arrive to 3 million eager recipients who would then spend the next few hours pouring over each new addition, mentally calculating their total spend and which life essentials could be jettisoned to enable it.
They grow up so fast, don’t they?
Last week we welcomed Musician’s Friend to the Rain family. A quick search on their website gives way to a tour of our shiny new Rain audio computers amidst a mountain of effects pedals, drool-worthy guitars and other big-boy toys fetishized by the next generation of aspiring gear hounds.
I feel kind of warm and fuzzy about it. Though I’m not ready to break out bongos and finger-cymbals for a rousing version of Kumbaya, I do have to smile at the idea of today’s young Keiths and Kevins pouring over the website, adding their dream items to a digital wish list that embodies the fantasies of a rock star studio. And perhaps in the shopping cart, between an American Strat and a Cry Baby Wah-Wah reissue, sits a Rain computer ready to empower a torrent of creative energy that will give birth to the next Nirvana.
I’m not a psychologist
… but if I was, I would specialize in the pursuit of discovering why we desire new toys so intensely. My cellphone is brand new and I recall ripping the box open like a kid on Christmas morning when it arrived. But every time I read a blog post about a new phone, I’m ready to replace mine at the drop of a hat. This knowing full well that the heroin-like high of my new acquisition will wear off the second I catch wind of the next best thing.
It’s like this for cars, for guitars, for clothes and for computers – for everyone no matter what they tell you. And the effect is always the same. The joy of ownership consistently pales in comparison to the relentless pursuit of novelty.
Is it human nature? Is there something inside of us that demands this drug? Perhaps it’s the same inclination to better ourselves, move up the ladder of success, build a better mousetrap. Maybe this is the price we pay for being a progressive species focused, by and large, on forward motion and change in the name of transcendence.
Of course, it could be mere entertainment – the thrill of the hunt, if you will. The game of hypothesizing the ultimate acquisition followed by a scientific experiment of trial and error, the uncovering of empirical data from Consumer Reports, user reviews and the fondling of one’s obsession in the showroom, like Keith and I all those years ago at George’s Music.
I don’t have the answers and I’m not in pursuit of the cure. I’m too busy living the disease in the most entertaining way. And as always, I invite your thoughts on the subject. Feel free to share the details of your deepest darkest gear fetish. You’re in good company.
-KJ

Ibanez also made a Saber Bass. I know this because Nick, the tall skinny assistant manager with the mustache and mullet (in Northeast PA? In the late 80s? Boggles the mind, eh?), yelled at me once for trying it out through one of their new Hartke cabinets.
Wait, you mean you didn’t want to hear my typewriter slap bass while you were trying to demo a keyboard for an actual paying customer?
That guy had some nerve.
J.